Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Film adaptations --- Film adaptations. --- Literature --- History and criticism. --- Adaptations --- Adaptations.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Film adaptations --- Television adaptations --- Radio adaptations --- Stage adaptations --- Shelley, Mary Wollstonecraft, - 1797-1851. - Frankenstein

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Fables --- French --- Greek --- Adaptations

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This book focuses on the significantly under-explored relationship between televisual culture and adaptation studies in what is now commonly regarded as the 'Golden Age' of contemporary TV drama. Adaptable TV: Rewiring the Text does not simply concentrate on traditional types of adaptation, such as reboots, remakes and sequels, but broadens the scope of enquiry to examine a diverse range of experimental adaptive types that are emerging within an ever-changing TV landscape. With a particular focus on the serial narrative form, and with case studies that include Penny Dreadful, Fargo, The Night Of and Orange is the New Black, this study is essential reading for anyone who is interested in the complex interplay between television studies and adaptation studies.

Television adaptations --- Adaptations télévisées --- History and criticism. --- Histoire et critique.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Drawing on grammatology, historical semantics and discourse theory, Temporality in American Filmic Autobiography treats automediality in semiotic materiality and transmediality as processuality and relationality of agency at an intersection of auto/biography studies, film studies and media studies, reviews concepts of time in philosophy, sociology, cinema studies and narratology, and applies critical vocabularies of temporality and temporalization in an extended analysis of two classics of 1970s American filmic autobiography, Film Portrait, by Jerome Hill and Joyce at 34, by Joyce Chopra and Claudia Weill. The study of film, time and self-processing develops the grammatology of cinema from contemporary positions on cinematic semiosis, temporality, and contingency, filmic and postfilmic cinema, documentary-style film, deixis across media, and the trace as critical vocabulary. Among supplementary tables, a chapter offers an overview of the canonization and transnationalization of cinematic autobiography in anglophone research.

Film adaptations. --- Adaptations, Film --- Books, Filmed --- Filmed books --- Films from books --- Literature --- Motion picture adaptations --- Motion pictures --- Film adaptations --- Adaptations --- Hill, Jerome,